ENGL 203: Core I: Medieval
Winter, 2023 Dr. Debora B. Schwartz 
Class meetings: TR 2-4, Rm. 2-13 http://deborabschwartzteaching.site
Office: 47-35G, tel. 756-2636  Main English Office:  756-2597
Office Hours: M 1:10-3:00, W 1:30-2:30, Th 4:30-5:30, and by appt.  e-mail: dschwart@calpoly.edu

Graduate Assistant Office Hour: TBA 


e-mail: dparsons@calpoly.edu

Calendar of Reading Assignments   PLEASE NOTE that the on-line syllabus (not any print-out you may make) is authoritative.  Assignments may be modified in the course of the quarter.  Check the on-line syllabus regularly (before each class) to ensure you are completing the correct assignment.

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Prerequisites: Completion of GE area A and ENGL 251; open to ENGLISH MAJORS ONLY.

Course Description and Objectives: ENGL 203 introduces English majors to the vernacular-language literature of medieval Britain as well as to influential Continental works--the foundation upon which modern English literature stands. In addition to presenting a number of important medieval authors and works, the course aims to familiarize you with medieval attitudes toward authorship and textuality, with medieval modes of textual production, and with specific textual practices relevant to the interpretation of medieval literature.

By the end of the quarter, you will be familiar with the most significant vernacular-language authors working in England between the 8th and 15th centuries and with key continental writers who illuminate the development of an English literary tradition. You will be able to identify and distinguish between significant medieval literary genres. You will have gained an understanding of how medieval literature differs from modern literature (and from modern notions of what literature is): e.g. the differences between manuscript and print cultures; the tension between Latin and the vernacular languages; the emphasis on literature as an on-going process rather than an end product, and thus the inappropriateness of modern notions of "originality" or "intellectual property" in the medieval context.

Finally, by the end of the quarter, you will have bonded with the classmates with whom you will be studying over the next two years!

Preliminary Remarks:  Much of what is presented in ENGL 203 will be new to most of you, and many of the readings reflect assumptions and ideas that appear strange to a 21st-century audience. For these reasons, several remarks are in order.

1) ENGL 203 is a READING-INTENSIVE COURSE. The material covered is unfamiliar, complex and challenging, the pace brisk. One week or another there will probably be a topic/author which you find difficult or simply do not enjoy. If and when this occurs, remember that we will soon move on to something else! Because ENGL 203 is a survey, you are not expected to master the material presented in the depth you would in an advanced course with a narrower focus.  So while you will need to keep up with the readings and should read carefully (using study guides), don't torture yourself if the details of a given text prove difficult to grasp. We are looking for the broad picture, not the close-up; the idea is to provide you with a sense of the way in which English literature--and English perceptions of what literature is--evolved during the course of the Middle Ages.  Readings will be considered as contextual evidence reflecting the "world view" of the author and period when they were  written.

2) Because literary production in the Middle Ages was largely controlled by the (Catholic) Church, many of the readings deal with Christian themes. We will approach these readings as cultural artifacts rather than as articles of faith, attempting to understand the society which produced them and the world view which they represent. While students familiar with portions of the Old and New Testaments may find this background useful, no prior knowledge of Judeo-Christian tradition is assumed or required. If something puzzles you, try the following (in this order!): a) check the footnotes and/or introduction to see if an explanation is provided; b) consult a dictionary or encyclopedia; and c) ask about it in class or office hours. (Chances are, someone else is just as puzzled as you are!)

3) Due to the time constraints under which we will be working, classes will focus on interpretation rather than description. Familiarity with the assigned readings (both background information and primary texts) will be assumed. Readings will NOT be summarized for you in class (which ideally should involve discussion as well as lecture). For these reasons, the success of the course depends largely on you. Please make a personal commitment to come to class regularly, punctually, and prepared. Without these preconditions, ENGL 203 will be of little or no use to you -- and no fun for any of us! SO: be prepared for an intense quarter. But also remember: ENGL 203 SHOULD be -- and usually is -- a lot of fun!

Communicating:

You are expected to have an email account and to check it regularly.  Important announcements will be sent over the class email alias.  The class email alias is automatically generated using the email address of each enrolled student found in the Cal Poly Directory server. If your Cal Poly email account is NOT your preferred email address, you must

  • Log into http://my.calpoly.edu/ and click on "Grades and Personal Information" (the "Personal Information Channel") to change your Email Delivery Address. Once you have done so, any email sent to your <username@calpoly.edu> , including all postings to the class alias, will be forwarded to the address you have designated.
Remember: you are responsible for any information sent over the class email alias (e.g. changes in assignments; other class-related announcements), so be sure to check your email regularly.  You may also use the alias to send a query or comment to the whole class (including your instructor).  Please do not use the alias for matters unrelated to class.
 
 

Attendance Policy:  Due to the twice-weekly seminar format, any absence causes you to miss a substantial chunk of material. Regular and punctual attendance is required.  Please note that EVERY absence will affect the participation component of your final course grade.

Each student starts out with a 4.0 for attendance.  This component of your final grade drops by .3 for the first UNEXCUSED absence; the penalty increases by .1 for each subsequent unexcused absence (from A [4.0] to A- [3.7] to B+ [3.3], to B- [2.8], etc.).  Additionally, it drops .1 for the first EXCUSED absence (4.0 to 3.9) and .2 for the second excused absence (3.9 to 3.7).  Excused absences in excess of two (a full week, 10% of the class) count the same as unexcused absences.

Please note that only absences due to illness, family crisis, or circumstances which are truly beyond your control count as excused.  Deadlines for other courses, work conflicts and job interviews are NOT valid reasons for missing class.  FOR AN ABSENCE TO BE EXCUSED, YOU MUST SUBMIT A SIGNED, WRITTEN NOTE with course number and section/time, date missed and an explanation of the circumstances leading to your absence.  (While I do appreciate your courtesy in letting me know why you have missed class, an Email or phone message will not suffice for an absence to be excused.)

Virtual "Field Trip": Each student will visit the Getty Museum website and complete a Getty Database assignment researching the medieval religious images in the Getty's collections as part of our unit on Marian devotion. 

Unfortunately, there can be no actual ENGL 203 field trip this quarter due to budgetary constraints -- but interested students are encouraged to make their own "pilgrimages" to the Getty Museum in Los Angeles (its collections include significant holdings in medieval manuscripts and paintings); to the Huntington Library in Pasadena (to see the magnificent Ellesmere Chaucer manuscript and other medieval manuscripts); or to the Norton Simon Museum in Pasadena (housing an exceptional collection of late Medieval and early Renaissance paintings).  Extra Credit may be arranged for a written assignment based on any of these excursions.

Required Texts:

  • The Norton Anthology of English Literature, 8th ed. (2006), vol. 1a, The Middle Ages, ed. Alfred David [=NA]
  • Chaucer, The Canterbury Tales, tr. Nevill Coghill (Penguin Classics) [=CT]
  • Chr�tien de Troyes, Arthurian Romances, tr. William W. Kibler and Carleton W. Carroll (Penguin Classics)
  • The Portable Dante, ed./tr. Mark Musa (Viking-Penguin)
  • Joseph Gibaldi and Walter S. Achtert, MLA Handbook for Writers of Research Papers, 6th ed. (2003)
  • M. H. Abrams, A Glossary of Literary Terms, 7th ed. (1999)
(NOTE: you must use the specific text ordered for this class. Do NOT substitute another edition/translation!!)

Also Recommended:

  • The Selected Writings of Christine de Pizan, tr. Renate Blumenfeld-Kosinski and Kevin Brownlee (Norton Critical Edition)B�roul, The Romance of Tristan, tr. Alan S. Fedrick (Penguin Classics)
  • The Lais of Marie de France, tr. Robert Hanning and Joan Ferrante (Baker Books)
  • B�roul, The Romance of Tristan, tr. Alan S. Fedrick (Penguin Classics) 
  • Penguin History of Literature, vol. 1: The Middle Ages, ed. W. F. Bolton. Penguin, 1993. (Out of print but available from bookfinder.com.)
Other required readings will be accessed electronically:  Online Readings are found in .HTML files accessible through links on this website; E-reserve readings are .PDF files on "electronic reserve" in the Library Resources section of Blackboard.  Please note that ALL required electronically accessed readings should be PRINTED OUT, PLACED IN A COURSE BINDER, AND BROUGHT WITH YOU TO CLASS.
  • To access Blackboard, log in at MyCalpoly, go to "Blackboard Access" and select "ENGL 203" from the classes you are taking. Click on the links in the Electronic Reserves section (under "Library Resources") to download, read and/or print the .PDF files using Acrobat Reader. 
  • To access online readings in .html files, click on the link on the Calendar of Assignments

  • ALWAYS BRING HARD COPY OF ASSIGNED TEXTS WITH YOU TO CLASS!


Preparation:  Readings are to be completed BEFORE coming to class on the date assigned. Introductions and background handouts should be read first; they are the context within which primary readings will be most meaningful. The introduction to the Middle Ages in the Norton Anthology (pp. 1-22) provides an overview of historical developments. The NA also has good headnotes to individual authors and works as well as a useful appendix on "Literary Terminology" (NA pp. A23-A44). Specific introductory pages from other textbooks are assigned on the syllabus. Other background information is provided on handouts and study guides. Please note that this background material is an integral part of the course and will be covered on EXAMS (and on Reading Quizzes, should they be reinstated this quarter). When reading primary texts, refer conscientiously to the critical apparatus (footnotes, glossary, etc.).

Study Guides are provided to guide your reading. USE THEM!! To access study guides, click on the underlined links found on the class calendar or on the list of online study guides below. Study guides typically contain some background information for which you are responsible; regard them as an appendix to your text books.  They also may list some general questions for which you will find answers as you read the assigned background readings, as well as background information and study questions to guide you through the primary readings. Familiarize yourself with the study questions BEFORE you begin to read, and refer to the guide frequently AS you read, jotting down notes as you go along. Upon completing your readings, you are strongly advised to reread the questions and write up a summary of your ideas. This summary will NOT be collected or graded, but will be helpful in preparing for class  -- and for exams!  (Should Reading Quizzes be resinstated, they presuppose you have prepared for class using the online study guides!)

Be prepared to DISCUSS readings in class. Note that length and difficulty of assignments vary, so look ahead in the reading list when you are planning your time. You are responsible for ALL the assigned readings, whether fully discussed in class or not, as well as for material covered in e-reserve and online readings, lectures and discussions.

Graded Work:

I.  WRITING ASSIGNMENTS:  Each student will be assigned to a Blackboard Discussion Board group of 6-8 students.  Students will post a series of 5 Personal Responses and 10 Classmate Responses to their Blackboard Discussion Board over the course of the quarter.  There will also be  a longer and more formal final paper.  Both sorts of writing will require close reading of assigned texts.

  • Blackboard Personal Response postings: Five short mini-essays (1-2 pages each), which can be e.g. a response to a study question, an analysis of the author's probable intentions, or a comparison of the new reading with a previously read work. 
  • You must also post to Blackboard ten short (but thoughtful) Blackboard Classmate responses (at least one meaty paragraph each).  You must post two classmate responses for each Personal Response  assisgnment in order to receive credit for your own Personal Responses.  The Classmate Responses will also factor into the participation component of your final grade.
  • The longer and more formal final paper (4-5 pp.), due at the last class meeting (Th 3/8), will be a piece of literary analysis on one or more of the works read this quarter.  You are encouraged, but not required, to develop an idea or ideas which you have explored in one or more of your Blackboard Personal Response postings.
II.  READING QUIZZES: Expect an unannounced Reading Quiz approximately once a week.  Reading Quizzes serve two useful purposes:  they give students an incentive to keep up with course readings and they can be helpful as study guides when preparing for exams. 
  • No make-up quizzes will be given. If you miss a quiz, you will get a copy to use as a study guide.
  • No extra time will be given to late-comers -- so come to class promptly!
  • E.C. pts. are available on every quiz, and your weakest quiz score will be dropped from your quiz average. Thus, you can make up for a weak or missed quiz by preparing well for subsequent quizzes.
III. EXAMS:  a closed-book Midterm Exam in class week 6; and a three-hour, closed-book Final Exam on Thursday, March 15, from 4:10 - 7:00 PM. Exams will include both essay and objective sections. Final will be cumulative, but with emphasis on work since the Midterm.
 

Grading:
10 % Participation (attendance and classmate responses in Blackboard Discussion Board)
15 % Reading Quizzes (lowest quiz dropped)
10% Discussion Board postings (best 4 of 5)
15 % Final Paper
50 %  Exams (20 % midterm; 30 % final)


Study Guides:
Online Readings:
Other Required Readings are available on e-reserve through the Library Resources sections of Blackboard.

Images: 

Contents of this and linked pages Copyright Debora B. Schwartz, 1999-2012
[Last updated 1/2/12