ENGL 252-01, Great Books II: Medieval to 16th-Century
(Winter, 2016)


Meets: TR 12:10-2:00 PM in 33-286
Office: 47-35G, tel. 756-2636 
Office Hours: TR 8:10-9:00 AM in 2-13 (not in my office);
T 2:10-3:00 PM and W 8:10-9:00 AM in 47-35G
;
and by appt.
Dr. Debora B. Schwartz 
http://cola.calpoly.edu/~dschwart
Main English Office:  805-756-2597
e-mail: dschwart@calpoly.edu

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Calendar of Assignments.  PLEASE NOTE that the on-line syllabus (not any print-out you may make) is authoritative.  Assignments may be modified in the course of the quarter.  Check the on-line syllabus regularly (before each class) to ensure that you are completing the correct assignment.  It is accessible at http://cla.calpoly.edu/~dschwart/engl252/252syllw16.html

Course Information:


Dr. Schwartz's Study Guides & Online Readings: Composite Text Info page for all ENGL 252 Primary Readings Cal Poly MyPortal log-in

Medieval Web Resources: Renaissance Web Resources:

Images:


Dr. Schwartz's Lists of Weblinks:

COURSE DESCRIPTION AND OBJECTIVES:

ENGL 252-01 covers a selection of "Great Books" from the European Middle Ages and early modern period.  In addition to introducing you to the authors and works on our syllabus, the course aims to familiarize you with medieval and early modern attitudes toward authorship and textuality, with medieval and early modern modes of textual production, and with specific textual practices relevant to the interpretation of medieval and early modern literature. By the end of the quarter, you will have become acquainted with a number of significant authors and works of the 12th to 16th centuries, and you will have gained an understanding of some key historical and cultural developments during this period.  You will know how medieval and early modern literature differs from modern literature (and from modern notions of what literature is): e.g. the differences between manuscript and print cultures; the tension between Latin and the vernacular languages; the emphasis on literature as an on-going process rather than an end product; and the absence of copyright (and thus the inappropriateness of modern notions of "originality" or "intellectual property") in the medieval and early modern context.
This large-lecture ENGL 252 will meet most of the learning objectives of a G.E. area C1 class:  it will provide historical perspective on several significant literary periods; cover a range of literary genres and conventions; help you understand both individual works and their relationship to the social, cultural, and historical context in which they were written; and foster an appreciation of the connections between literary works and non-verbal forms such as the visual and/or performing arts.  Course readings and lectures will encourage you to practice the skills necessary to read with insight, engagement, and detachment and to analyze and evaluate works from cultures which are unfamiliar to you.  While you will not yourself be able to practice your writing skills in this class, lectures will endeavor to model some of the analytic skills you would normally practice in an essay by offering close reading of the texts under consideration.
STATE BUDGET CRISIS CONSEQUENCES:  NO WRITING COMPONENT.   All sections of ENGL 252 (including this large-lecture class) fulfill the GE area C1 requirement and count as a prerequisite for upper-division GE area C4 (GWR) classes.  For this reason, ENGL 252 is normally taught as a writing-intensive course with a significant amount of in-class and out-of-class writing.  (By definition, a writing-intensive class requires a minimum of 3000 words of writing and bases at least 50% of the final course grade on writing assignments.) Due to the state budget crisis, however, the English Department has been required to offer large-lecture sections of C1 classes which include content only with no writing assignments and no writing instruction.  Because there is no written work, the entire course grade will be based upon your performance on objective-only scantron assessments.  All students will take two 100-pt. scantron midterms and a 150-pt. scantron final exam.  Students are encouraged but not required to prepare for those exams (and to lessen their impact on the final course grade) by participating in scantron reading quizzes, administered at the beginning of each class meeting.

NOTE 1:  Before rejoicing over "getting off easy" -- no essays to write! -- please consider that this lack of writing instruction comes at a cost to your education.  While the readings and lectures in ENGL 252 are of intrinsic educational value, this quarter you will not get part of the education your tuition dollars are supposed to pay for:  the practice in analytic writing that should be part of a C1 class and which would prepare you to earn GWR certification when you enroll in an upper-division C4 class.  If you find it disturbing to pay increased academic fees for less instruction, please TALK ABOUT THE IMPACT OF THE STATE BUDGET CRISIS on YOUR education with your family and friends; let your LEGISLATORS know that the CSU needs additional funding; and let the UNIVERSITY ADMINISTRATION know that a "writing-intensive" course should not be forced to run at a size that precludes writing instruction!

GRADING OPTIONS:

You will be asked to select one of two grading options at the end of week two of class:

Quiz Rationale:  In a large lecture class, it's easy to sit back and not engage with the material.  Quizzes are intended to "keep you honest" -- to give you an incentive to complete reading assignments and to reward you for regular attendance at lectures.  Students electing the quiz option are likely to end up with significantly higher course grades.  To prepare for quizzes, do the readings, using the Study guides, which are designed to draw your attention to important points and passages in the readings.  You should also know the background information for each primary text listed as "text info" on the course calendar and compiled for your convenience in a Composite Text Information page.  Get in the habit of USING these tools to prepare for class, and you should do very well on daily quizzes.

Quiz Description and Grading: Each quiz will consist of 15 questions, but will be scored as if there were only 10 questions.  This means, in essence, that there are 5 Bonus questions on every quiz for which credit is awarded if you get them right, but no penalty is subtracted if you get them wrong.  Thus, answering 9 of 15 questions right on a "10-pt." quiz earns a score of  90%; answering 11 of 15 earns a score of 110%. Careful quiz prep (using Study Guides) will provide a cushion of EC points to balance any missed (or less than stellar) quizzes.  Students with a quiz average higher than 100% on the "10-pt." quizzes at the end of the quarter will receive grades in the A+ range (4.05 to 4.3 on a 4.0-scale) for the 30% of the final course grade based upon quizzes.  This quiz policy is designed to give students an incentive to keep up with readings and attend lectures regularly.  It also pays a dividend because a large number of students electing to take quizzes finish the quarter with quiz averages above "100%."

Quiz Logistics:  Students electing the Quiz Option should arrive promptly and bring a scantron to every class meeting.  (No scantron, no credit.) Quizzes will be distributed as you come in and collected at 12:25.  The lecture will begin promptly at 12:30. If you opt to participate in reading quizzes, bring a SCANTRON to each class.  To receive credit for a quiz, you must turn in the quiz sheet AND the scantron, both of which must include your legibly printed name AND your signature. (NO CREDIT for scantrons submitted without signature or without the signed quiz.) Quiz scores are reported in PolyLearn.

Please note that there are no make-ups, and quizzes are not made available to students who miss a lecture.  The two lowest quiz scores are dropped at the end of the quarter.  Students can earn up to "150%" on every quiz, and an additional low quiz is dropped for students who perform an  E.C. scene or monologue from A Midsummer Night's Dream at the end of the quarter. (Trust me:  final quiz averages are invariably very high!)

EXAMS:  There will be three scantron EXAMS:  two 100-pt. Midterms (closed book, in class on T 1/28  and Th 2/25) and a 150-pt. closed-book Final Exam (on Th 3/17, from 1:10 - 4:00 PM).  The Final Exam will be cumulative in some sections, while other sections will be more like a midterm exam focusing on Shakespeare's A Midsummer Night's Dream and the video versions of the play that were screened in class (including both the the full Joseph Papp / Public Theatre production screened in class and the clips from other films screened during lectures).  Bring a 100-question scantron form for each midterm and TWO 100-question scantron forms for the 150-pt. final exam. (DO NOT bring other sizes of scantrons -- I will not be able to score them.)

EXTRA CREDIT: Individuals or small groups of students who have elected the Quiz option have the option of presenting a monologue or scene from A Midsummer Night's Dream the last day of class.  Extra Credit performances must be approved by me in advance during an office hour meeting (your whole group must attend). Performers will receive credit in the form of a third quiz being dropped from their average before the quiz component of the final grade is calculated. Additionally, the quality of EC performance grades will recorded as a check, a check plus or a check minus. Plus and minus grades will be used to help determine your final grade if your cumulative average is a borderline grade. BONUS POINTS FOR MEMORIZATION!!!

PRELIMINARY REMARKS:

Much of what is presented in lecture will be new to most of you, and many of the readings reflect assumptions and ideas that appear strange to a 21st-century audience. For these reasons, several remarks are in order.

1) ENGL 252 is a Great Books class, which means it is reading-based. Readings will be considered not only for their intrinsic literary value but as cultural artifacts reflecting the "world view" of the authors and the audiences for which they were written.  While the texts on the syllabus are very old, do not assume that they lack sophistication; they are complex and can prove challenging on an initial reading.  Because much of the material covered is probably unfamiliar to you, it is important that you keep up with the readings and that you read carefully (using the study guides).  Make a practice of learning the background information listed as "text info" on the course calendar and compiled for your convenience in a Composite Text Information page. Get in the habit of USING these tools to prepare for class, and you should do well on daily quizzes (if you opt to take them) and on exams.

2) The people of the Middle Ages and the Early Modern period were not prudes, and the literature they enjoyed can be surprisingly risqué.  If you have tender sensibilities, you may occasionally be offended by the bawdiness of some of our readings.  Try not to be.  In comparison to much of which is on television every night, our readings are relatively tame.  The common thread linking these works is their exploration of appropriate gender roles, and more generally, the different takes they offer on the relationship between (and occasionally the battle of) the sexes.  As a result, a certain amount of sexual content is inevitable.  Be prepared!

3) Any "Great Books" class is necessarily selective, but this quarter we will be working under unusual time constraints:  due to the extra midterm exam necessitated by the Large Lecture format, a cancelled class on T 1/16 (when Monday classes meet), and in-class screening of an otherwise unavailable film of A Midsummer Night's Dream, there are only sixteen lecture meetings for a Great Books class on a period spanning more than a thousand years.   I have chosen our readings to illustrate important concepts, to trace the historical development of the vernacular literary tradition, and to follow some rich thematic threads through a selection of medieval and Renaissance works -- some of which may strike you as surprisingly modern.  But be forewarned:  lectures will not tell you what happens in the works you are supposed to read before coming to class.  Lectures aim to provide a context for and offer interpretation of the assigned readings; they will not describe or summarize them.  So in order to get something out of this class, you will need to keep up with the readings.  Familiarity with the assigned readings will make lectures enjoyable.  No matter how entertaining the instructor, lectures will not make sense if you have not done the reading -- so please make a personal commitment to come to class regularly and prepared!

LECTURE ATTENDANCE:

Occasional absences for personal
        convenience are understandable . . . but they may impact your
        final course grade!Regular attendance at lectures is strongly recommended. While you can certainly complete the required readings on your own, it is my job to help you make sense of them, and students who do not attend class are likely to have a difficult time doing well on exams.

Lectures will begin promptly at 12:25.  Students who choose the exam-only option should enter the lecture hall quietly between 12:15 and 12:20 so as not to disturb classmates taking the daily quiz.  NOTE: If you choose to attend class, please plan to stay for the full class meeting.  If there is a reason why you must leave class early, please speak to the instructor at the beginning of class.  Please do not make a practice of leaving class early; it is disrespectful and distracting both to your instructor and to your classmates.

REQUIRED TEXTS:  Some required textbooks have been ordered and are available at the bookstore. Do NOT substitute another edition or translation for these textbooks: ALWAYS BRING ASSIGNED READINGS WITH YOU TO CLASS!

Other required readings will be accessed electronically:

Electronically accessed readings should be printed out, placed in a course binder, and BROUGHT WITH YOU TO CLASS.

REQUIRED FILMS for PERFORMANCE ANALYSIS COMPONENT OF CLASS: as an Area C1 GE class, ENGL 252 must include attention to non-verbal art forms such as the visual and/or performing arts.  As part of our unit on Shakespeare's A Midsummer Night's Dream, all students will be responsible for screening at least two filmed versions of the play, one on their own time prior to (first class meeting of the unit on Shakespeare), and one in class (spread over our class meetings weeks 9-10).

Any production of a play is the result of numerous interpretive decisions by the director,  actors and production team.  The text may be altered -- lines, speeches or whole scenes modified or cut completely -- to correspond to the director's understanding of the play, to shorten a text, to provide greater clarity, or for some other reason.  The choice of setting (ancient Athens? Shakespeare's England? San Francisco during the Summer of Love? the bedroom of a little boy who has fallen asleep reading the play?) immediately telegraphs the director's vision, as do the sort of actors who are cast (physical types, age, etc.), the ways in which they are are costumed, and their blocking (how, when and why they move about the stage).  As you consider the films which are discussed in lecture or screened in or out of class, note specific details fromthe performances and production values (e.g. set and lighting design, costumes, make-up) and consider how these details communicate a specific interpretation of Shakespeare's text.  The filmed versions of A Midsummer Night's Dream which we will be considering in whole or in part are the following: Students are responsible for scenes screened during lectures, which may be drawn from any of the above films, but will be expected to be most familiar with the Joseph Papp / Public Theater version shown in class.  Students are also expected to see one of the other five filmed versions of the play on their own time before class on T 3/3, and to post a reaction to it in a PolyLearn Discussion Forum.  Additionally, ENGL 252 students who have selected the QUIZ OPTION can earn Extra Credit by presenting a group or individual performance of a speech or scene from A Midsummer Night's Dream during the last week of class.

Communicating:

You are expected to have an email account and to check it regularly.  Important announcements will be sent over the class email alias.  Class email aliases are automatically generated using the email address of each enrolled student found in the Cal Poly Directory server. If your Cal Poly email account is NOT your preferred email address, you must

Remember: you are responsible for any information sent over the class email alias (e.g. changes in assignments; other class-related announcements), so be sure to check your Cal Poly email regularly.

PREPARATION FOR CLASS MEETINGS:

Readings are to be completed BEFORE coming to class on the date assigned.  Assigned background readings should ideally be read first; they are the context within which primary readings (the Great Books themselves) will be most meaningful. Please note that this background material is an integral part of the course and will be covered on exams (and quizzes if you elect the Quiz Option). When reading the primary texts, don't forget to read the footnotes, which are provided because there is something in the text which would otherwise be hard to understand.

For most reading assignments, Study Questions will be provided to guide your reading. USE THEM!! As a rule, the study guides will contain a number of general questions covering background information on the author or work, followed by some thematic or plot-related questions concerning the primary readings. Familiarize yourself with the study questions before you begin to read, and refer to guide frequently AS you read, jotting down notes as you go along. Upon completing the reading and after lectures, reread the questions and make a few notes about them, since this will help you review for exams.

Note that length and difficulty of assignments vary, so look ahead in the reading list when you are planning your time. You are responsible for all assigned readings and for any additional material covered in lectures.

Course Grade Calculation:
The final course grade will be calculated based upon the Grading Option you elect the second week of class.
 
EXAM ONLY OPTION:   QUIZ + EXAM OPTION
100% of course grade is based on the total number of Exam Points earned (out of 350, based on two 100-pt. midterms and the 150-pt. final exam).  This percentage score is converted to a letter grade according to standard practice: 
  • A range: 90-100%.  (93% and up= A; 90-92%= A-)
  • B range: 80-89%. (87-89%= B+; 83-86%=B; 80-82%=B-)
  • C range: 70-79%. (77-79%=C+; 73-76%=C; 70-72%=C-)
  • D range: 60-69%. (67-69%=D+; 63-66%=D; 60-62%=D-)
  • F: below 60%
  30% Reading Quizzes
  • 2 lowest quiz scores are dropped
  • additional low quiz dropped for students presenting a scene or monologue from  A Midsummer Night's Dream at last class. 
  • NC on CR/NC written response to individually screened film version of A Midsummer Night's Dream counts as 0 quiz score
  40% Miderm Exams (20% for each exam)
  30% Final Exam

A NOTE ON QUIZ SCORES:  If you elect the Quiz + Exam option, please remember that quiz points and exam points are not equivalent, since the percent scores awarded on quizzes have been artificially inflated (an average of 10 correct answers on the 15-pt. quizzes is recorded as a quiz score of "100%" rather than the actual percent score, 66%).  A score of  100% on a 100-pt. objective midterm means 100 of 100 exam questions are correct, while "100%" on a "10-pt." quiz means 10 of 15 quiz questions are correct -- and quizzes are worth significantly less than exams.  You therefore cannot calculate your final course grade directly from the raw percentage grades earned on quizzes and exams.  For this reason (and also because so many students finish the quarter with quiz averages above "100%"!), I convert the scores on all components of the class to a 4.0-scale before calculating the final course grade.  Everyone whose quiz average is more than 10 pts. out of 15 will receive a bonus in the form of a quiz grade above the normal maximum grade of 4.0.  The amount of this bonus (from .05 to .3) will be commensurate with the strength of the quiz average relative to other students who elect the Quiz Option.

A Final Word:  While I certainly hope you will find the readings enjoyable and my lectures entertaining, my job is to teach -- and yours is to learn.  You will get more out of this large-lecture class if you keep up with reading assignments, attend lectures, actively engage with the materials.  You are also advised to learn background information as we go along (as the Quiz option encourages you to do).  Too much is covered to make for easy cramming immediately before an exam.  I promise that I will do my best to make the material interesting and enjoyable.  And, for what it's worth I LOVE teaching this stuff, and I'm told that my enthusisam makes my lectures fun.

Welcome, and enjoy!

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